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Beetlejuice Schrumpfkopf

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Beetlejuice (less known as Betelgeuse) is a trickster and mischievous ghost. He is the main antagonist of his own live-action movie. 1 Personality 2 History Pre-Beetlejuice Beetlejuice 3 Development 4 Name 5 Powers and abilities 6 Beetlejuice from the Animated Series 7 Trivia 8 Gallery Betelgeuse is a very rude, crude, and perverted ghost. He also gets a little crazy at times. Though. Beetlejuice is a musical with music and lyrics by Eddie Perfect and book by Scott Brown and Anthony is based on the film of the same story concerns a deceased couple who try to haunt the new inhabitants of their former home and call for help from a devious bio-exorcist ghost named Betelgeuse (pronounced "Beetlejuice"), who is summoned by saying his name three times. Once you vape Beetlejuice you can&#;t stop. 3 Juice. Posted by Eric N. on Mar 29th It was ok. Not my favorite. 5 3 Years same juice! Coils last a week at. The script ends with a climactic scene where Beetlejuice wreaks havoc on the island by turning into a creature named "Juicifer," and Lydia summoning a giant tidal wave that washes the island clean of all the demonic creatures conjured by Beetlejuice. Beetlejuice is a American fantasy comedy film directed by Tim Burton, produced by the Geffen Company, and distributed by Warner Bros. plot revolves around a recently deceased couple (Alec Baldwin and Geena Davis) who become ghosts haunting their former home, and an obnoxious, devious poltergeist named Betelgeuse (pronounced and occasionally spelled Beetlejuice in the movie.
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Beetlejuice Schrumpfkopf
Beetlejuice Schrumpfkopf
Beetlejuice Schrumpfkopf

Janet Maslin of The New York Times gave the film a negative review, stating that the film "tries anything and everything for effect, and only occasionally manages something marginally funny" and "is about as funny as a shrunken head".

For Keaton's character, Ebert called him "unrecognizable behind pounds of makeup" and stated that "his scenes don't seem to fit with the other action".

They soon discover that his company is building on the burial ground of an ancient Hawaiian Kahuna. The spirit comes back from the afterlife to cause trouble, and Beetlejuice becomes a hero by winning a surf contest with magic.

Keaton and Ryder agreed to do the film, on the condition that Burton directed, but both he and Keaton became distracted with Batman Returns. Burton was still interested in Beetlejuice Goes Hawaiian in early Impressed with Daniel Waters ' work on Heathers , Burton approached him for a rewrite.

However, he eventually signed Waters to write the script for Batman Returns. Smith later joked that his response was "Didn't we say all we needed to say in the first Beetlejuice?

Must we go tropical? You really couldn't do it now anyway. Winona is too old for the role, and the only way they could make it would be to totally recast it.

In September , Warner Bros. Burton and Keaton have not officially signed on but will return if the script is good enough. It's a priority for Warner Bros.

It's a priority for Tim. What's great is that for Beetlejuice [ sic ], time means nothing in the afterlife, but the world outside is a different story.

In November , Ryder hinted at a possible return for the sequel as well by saying, "I'm kind of sworn to secrecy but it sounds like it might be happening.

It's 27 years later. And I have to say, I love Lydia Deetz so much. She was such a huge part of me. I would be really interested in what she is doing 27 years later.

There's only one Betelgeuse. We're working on a script and I think it's probably closer than ever and I'd love to work with him again.

It's not a kind of a movie that cries out [for a sequel], it's not the Beetlejuice trilogy. So it's something that if the elements are right—because I do love the character and Michael's amazing as that character, so yeah we'll see.

But there's nothing concrete yet. Due to the film's financial success, a Beetlejuice animated television series was created for ABC.

The series ran for four seasons the final season airing on Fox , lasting from September 9, to December 6, Burton served as executive producer. The character of Beetlejuice was later prominently featured in the Teen Titans Go!

In this appearance, he was voiced by Alex Brightman , who was the first to play the Broadway musical's Beetlejuice role. In , work began on a Broadway stage musical adaptation of the film directed by Alex Timbers , produced by Warner Bros.

The musical was debuted by readings starring Christopher Fitzgerald with the second featuring Kris Kukul as musical director and Connor Gallagher as choreographer.

This article is about the film. For the star, see Betelgeuse. For other uses, see Beetlejuice disambiguation. Theatrical release poster by Carl Ramsey.

Michael McDowell Warren Skaaren. The Geffen Company. Release date. Running time. Danny Elfman and Harry Belafonte. Main article: Beetlejuice TV series.

Main article: Beetlejuice musical. Box Office Mojo. Retrieved April 3, Retrieved October 6, Retrieved November 10, Burton on Burton.

Faber and Faber. Comic Book Movies. Virgin Books. February 20, Retrieved March 6, Retrieved February 16, Warner Bros.

The Brightest Stars. Hoboken, New Jersey: Wiley. The Boston Globe. Retrieved July 28, Retrieved October 17, March 1, Retrieved August 10, Starburst Magazine.

Die Figur des Beetlejuice unterscheidet sich ebenfalls von der der Filmversion. Ursprünglich sollte die Figur als böser Dämon mit Flügeln angelegt werden, die sehr viel Unheil anrichtet, nicht bezwungen werden und verschiedene Gestalten annehmen kann.

In der ursprünglichen Version wollte Beetlejuice Lydia vergewaltigen statt sie zu heiraten. Beetlejuice wird jedoch vollständig eliminiert, da Otho, die Maitlands und die Deetz zusammen einen Exorzismus betreiben.

Bereits in der ersten Einstellung legt Tim Burton diesen Look fest: Eine Vogelperspektive auf eine Kleinstadt entpuppt sich als Miniaturmodell — und der Zuschauer hat sie unwillkürlich betreten, die eigenwillig konstruierte, aber dennoch kommerziell erfolgreiche Kino-Realität von Tim Burton.

Dieser Artikel beschreibt den Realfilm über den fiktiven Geist Betelgeuse. Filme von Tim Burton. Namensräume Artikel Diskussion.

Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. He also tells Lydia that since she lives and works among the dead now, she should also follow their rules, and gives her a copy of the Handbook for the Recently Deceased.

However, because she is not dead, Lydia cannot open it. Despite this, she realizes it could help her reunite with her mother, and runs to the attic for Barbara and Adam's help.

Feeling alone and betrayed again, Beetlejuice talks with his clones about how he wants to leave the house to finally connect with people now that he can be seen.

To achieve this, he decides to trick Lydia into marrying him, which will allow him to roam free in the living world "That Beautiful Sound" reprise.

In the attic, Barbara and Adam help Lydia open the Handbook , when they realize they should have gone straight to the Netherworld instead of remaining in their house.

Adam opens the door to the Netherworld, but Barbara shuts it and the Handbook , afraid of leaving the house. Lydia berates them because she hoped to use the book to summon her dead mother and leaves disappointed and angry.

Barbara realizes that all of their fear has held her and Adam back, so they decide to become bolder and better "Barbara 2.

Delia, Charles, and Delia's guru, Otho, re-enter the house to rescue Lydia, bringing a box that can supposedly trap souls. Beetlejuice tricks Lydia by telling her that reading a passage from the book will resurrect her mother, but instead she unknowingly begins to exorcise Barbara and is forced to agree to marry Beetlejuice to stop it "The Whole "Being Dead" Thing, Pt.

He stops the exorcism and opens a door to the Netherworld to send the Maitlands away for good, but Lydia jumps through the door, with Charles following.

Enraged that his plan has failed again, Beetlejuice decides to kill everyone instead "Good Old Fashioned Wedding". Lydia and Charles enter the Netherworld and are greeted by Miss Argentina, who along with other Netherworld residents, urges them to return to the living world "What I Know Now".

They then meet Juno, director of Netherworld Customs and Processing, who soon finds out they are still alive. Lydia runs from Juno and frantically searches for her mother in the Netherworld, but is unable to find her.

Charles finds Lydia in distress and reconciles with her "Home". The Deetzes return to the house, where Beetlejuice is preparing to kill everyone.

Lydia plans to trick him by agreeing to marry him as Charles, Delia, and the Maitlands get the demon ready "Creepy Old Guy". The wedding brings Beetlejuice to life, allowing Lydia to stab him and kill him again, making him "Recently Deceased".

Lydia and the Maitlands try to send him back to the Netherworld, but Juno appears, reveals herself as Beetlejuice's mother, and tries to take Lydia back with her.

Beetlejuice stands up to Juno, having learned to appreciate life in his brief experience. Juno pretends to be moved by Beetlejuice's speech and throws him out of the house.

Beetlejuice then crashes through the wall riding a sand worm, which eats Juno. Beetlejuice says his last goodbyes to everyone before leaving.

The Deetzes and Maitlands rejoice in their victory and agree to share the house as they clean up and repair the damage. Lydia accepts that although her mother is gone, there is still so much left to enjoy in life " Jump in the Line ".

On 30 October , an album titled Beetlejuice — The Demos! The Demos! It features both current and cut songs from the musical as well as commentary by Perfect.

In March , it was reported that Australian musical comedian Eddie Perfect would be writing the music and lyrics and Scott Brown and Anthony King would be writing the book of the musical, and that another reading would take place in May, featuring Kris Kukul as musical director.

Beetlejuice premiered on Broadway at the Winter Garden Theatre with the same cast and creative team. Previews began on March 28, , with an official opening night on April 25, After a total of 27 previews and regular performances, however, the production played its last performance at the Winter Garden on March 10, , before The Broadway League closed all Broadway productions to help combat the COVID pandemic.

The New York Times ' s Ben Brantley wrote: "Invisibility is definitely not among this show's problems; overcompensating from the fear that it might lose an audience with a limited attention span is.

Though it features a jaw-droppingly well-appointed gothic funhouse set by David Korins, lighted by Kenneth Posner , replete with spooky surprises, this show so overstuffs itself with gags, one-liners and visual diversions that you shut down from sensory overload.

Sara Holdren, writing for New York ' s Vulture , wrote: " Beetlejuice , the rowdy, raunchy musical adapted from Tim Burton's horror-comedy, openly embraces the theme park-y aspects of an enterprise like the one it's engaged in.

True to its source material, it's loud, it's cheeky, and it's all about excess. It's also — thanks in large part to Alex Brightman's spot-on performance as the incorrigible titular ghoul — a pretty fun time.

Nick Romano from Entertainment Weekly wrote: " Beetlejuice There are still second act problems and a song list void of any real bops, but it's a fun time for the Burton novice and pure fan service for the Burton stans, thanks in large part to the titular puckish undead spirit breathing life into a Broadway experiment that could've been dead in the water.

Peter Marks, theatre critic for The Washington Post , was pleased by the changes made during the show's transition to Broadway, writing: "When last we left Beetlejuice , during its tryout run in November in Washington's National Theatre, the blithe, dizzily antic spirit of the movie was suffocating under the weight of sophomoric, phallic gags.

This reworked incarnation, under Alex Timbers's direction, breathes slightly more enjoyably even as it remains too faithful to the pumped-up inclinations of book writers Scott Brown and Anthony King and composer-lyricist Eddie Perfect.

This means that the eager-to-please quotient of a musical about the quest by a bevy of souls, alive and dead, to alleviate loneliness, is still amped up a bit too frantically.

This may be of more concern to overly entertained theater analysts than to those musical-theater enthusiasts who thrive on the supercharged exertions of an ensemble on hyperdrive.

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